Even Better Than the Real Thing: Augmented and Virtual Reality

It seems like AR and VR have been hot topics for a while, and for good reason. Oldsters like me tend to point to the young whippersnappers who grew up as digital natives and assume that they want a screen in every exhibition. The thing is, with a good interpretive plan and a digital/media team …

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An Exhibition Without Walls

Most of the exhibitions Smithsonian Exhibits (SIE) works on have walls, not to mention a roof. But recently, SIE collaborated with Smithsonian Gardens on an exhibition without either. Last year, we blogged about an interpretive master plan we did with Smithsonian Gardens for their new Smithsonian-wide exhibition series. Now, the first of those exhibitions—Habitat—is open …

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Collaborating with Colleagues, International Edition

Last week, Smithsonian Exhibits had a wonderful day hosting a delegation of Argentinian museum professionals for a lively conversation about exhibition development. We’re always happy to talk about exhibitions and learn from our colleagues, and this day was no exception. Our guests are part of a cooperative program—Capacity Building for Argentinian Museum and Cultural Heritage …

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Exhibits for Monks and Nuns

When most people hear the word “Smithsonian,” they think of the museums lining the National Mall or maybe the National Zoo. But the Smithsonian is also a global institution working on projects around the world, from saving endangered species to safeguarding priceless artifacts. For nearly a decade, one project in particular has been taking Smithsonian …

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Go Fish!

It’s hard to believe that Sant Ocean Hall at the National Museum of Natural History is ten years old. It’s somewhat shocking that it hasn’t just always been there—it’s such a prominent and memorable part of the museum—but it also has a fresh feel to it so it feels like it just opened. The secret? …

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A Tale of Two Exhibits

This year, Smithsonian Libraries celebrated its 50th anniversary as a unified library system by opening not one, but two exhibits: Game Change: Elephants from Prey to Preservation and Magnificent Obsessions: Why We Collect. Smithsonian Exhibits (SIE) was thrilled to be asked to design, edit, and produce the exhibits. Here’s our tale . . . (It …

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DECLASSIFIED!! Mission: DIA

Here’s a tricky one: How do you write exhibit text for a new museum when your content experts have top security clearances and can only share a fraction of their content with you? Mission: DIA offered many tricky and interesting questions. For example: will they tell me about if I ask really, really nicely? * Working on a …

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Conquering the Panda Challenge

Sometimes developing exhibits can feel like a maze, with many different directions to explore and challenges to overcome. Recently, Smithsonian Exhibits (SIE) was asked to build a real maze for the Panda House at Smithsonian’s National Zoo and Conservation Biology Institute (NZP). The purpose of the interactive is for visitors to guide a panda through the …

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The Path to My Next Chapter

When people ask me what inspired me to pursue a degree in Arts Management at the University of Massachusetts Amherst and an internship at Smithsonian Exhibits, my thoughts turn to my grandfather, Benedict J. Fernandez. A dyslexic Italian-Puerto Rican man from Harlem with no degree or a stable family to lean on while growing up, …

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Can You Tell the Difference?

In 1955, businesswoman, philanthropist, and collector Marjorie Merriweather Post (1887–1973) purchased the Hillwood Estate in Northwest Washington, D.C. Post directed her architects and designers to refurbish the 1920s neo-Georgian mansion into a nobler residence that would function as a fully staffed home as well as a showcase for her sophisticated collections of late eighteenth-century French …

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