This summer OEC’s Model Shop began a collaboration that uses cutting-edge technology to learn about early European settlers at Jamestown, Virginia, 400 years ago.

Douglas Owsley, curator and department head of the Division of Physical Anthropology in the National Museum of Natural History’s Department of Anthropology leads a research team studying Colonial-era skeletons from sites throughout the Chesapeake Bay region. From the condition of these bones and teeth, and how they were buried, Dr. Owsley is often able to determine the age, sex, social status, health, trade, and cause of death.

One such find is the skull of a young man, aged 15 years old and one of 
the original 1607 settlers from Jamestown fort. This skull will be featured in an upcoming exhibition and will be used to create a facial reconstruction. However, given the delicate nature and historic value of the skull, Dr. Owsley sought the aid of the Smithsonian’s Museum Conservation Institute (MCI) and the Office of Exhibits Central to digitally document and replicate the skull in exacting detail.

With new digital 3D imaging technology and CNC (computer numeric controlled) machinery, the Smithsonian is able to create exact replicas of fragile artifacts for further study and exhibition. MCI scanned the skull and provided the digital information to OEC.

OEC modelmaker Chris Hollshwander reviewed the digital information for any issues that could negatively impact the machining process and created a series of programs that produced machine commands for the CNC milling machine. The complex skull replica had to be machined from six different directions, each requiring explicit instructions from the CAD/CAM (computer aided drawing and manufacturing) software.

One of the focus cultures at this year’s Folklife Festival was Virginia Roots, which featured a series of programming about researching history. Sculptor Amanda Danning used the replica as an armature to reconstruct the face of the young man who died about 400 years ago.

Later this fall, OEC modelmakers will make a plastic cast of Ms. Danning’s sculpture to use in an upcoming exhibit at NMNH.

MORE PHOTOS

top photo: Screen shot of the digital tool path for the CNC milling machine, based on the 3D scan from MCI.

middle photo: Replica skull in production on the CNC milling machine.

bottom photo: Sculptor Amanda Danning begins modeling the musculature on the replica skull as OEC modelmaker Chris Hollshwander observes.

Every four months, the Office of Exhibits Central and the Smithsonian Institution Libraries (SIL) collaborate to share the rich diversity of the Libraries’ collections with visitors at the National Museum of Natural History (NMNH). The written and illustrated collections of the Libraries combined with artifacts and specimens give Smithsonian scholars a more complete picture of the subjects they study.

To give visitors an inside glimpse into the importance of the Libraries to researchers, SIL features a rotating selection of artifacts from the Natural History Museum and books, photos, and other ephemera from the Libraries’ collections. Currently, the exhibits focus on extinct or rare birds that are studied by scientists at Natural History.

OEC works with SIL to edit the interpretive text and labels, design the layout of the case, bracket any objects to be displayed, and produce the case furniture and graphic panels. Once the case is installed, the OEC team begins working with SIL staff to produce the next exhibit.

You can see the current installation on the Great Auk in the SIL case located in the NMNH lobby on the Constitution Avenue side of the building through November 2007. With the help of curator Helen James, the next birds to be featured are extinct Hawaiian species.

Photograph by Theresa Keefe, OEC

A film crew from Team Productions was at OEC today filming staff in action on various projects for Smithsonian Spotlight, a new 30-minute magazine format show on Smithsonian Network On Demand. The series will premier early next month and be available “on demand” to customers with cable companies that carry the network. The episode featuring OEC (as well as the Smithsonian Jazz Masterworks Orchestra, the Smithsonian Kite Festival, and the Smithsonian Environmental Research Center) will premier in June.

Camera operator Tom Kaufman, along with executive producer Emil Gallina, associate producer Amanda Fox, and sound recorder Rick Patterson had their work cut out for them interviewing OEC staff about the projects they work on and capturing a unique behind-the-scenes view of how an exhibit is made at the Smithsonian.

“What is surprising about the Office of Exhibits Central is the wide variety of projects you work on, the exotic and rare specimens you handle,” said Mr. Gallina during a break between filming segments. “I am really impressed by the passion of the staff.”

OEC’s involvement started when Richard Gould, exhibit specialist in Fabrication, approached OEC director Michael Headley about the possibility of featuring OEC’s contribution to the Institution via the new collaboration between the Smithsonian and Showtime. Richard was the liaison between Team Productions and OEC to ensure a smooth day of filming.

top photo: Tom Kaufman and Rick Patterson of Team Productions film Terri Cobb of Museum on Main Street installing musical instruments for the staff preview of New Harmonies.

bottom photo: Executive producer Emil Gallina of Team Productions interviews OEC exhibit specialist Natalie Gallelli in the Model Shop about creating life-sized mannequins for the National Air and Space Museum.

The Exit Saigon, Enter Little Saigon exhibition opened January 19, 2007 at the Smithsonian S. Dillon Ripley Center, Concourse Gallery. This exhibit, the first Vietnamese American historical exhibit at the Smithsonian, tells the story of the Vietnamese American experience in America, from the significant influx in 1975 to the present. By showcasing themes of challenges, contributions and change, the exhibit emphasizes the vibrant diversity of this ethnic community.

OEC Designer Lynn Kawaratani and OEC Editor Rosemary Regan were integral to the success and completion of this project. Working collaboratively with the Asian Pacific American Program, OEC helped to keep this exhibition moving forward. The Special Exhibitions Division wore two hats in this production serving as both the project management for the exhibition and as the opening venue for the show. SITES plans to travel the show nationally for 3 years after it closes in Washington.

An evening VIP tour with curator Vu Pham and a gala opening event in the Smithsonian Castle were some of the festivities. Designers Chloe Dao and Bao Tranchi attended the gala, which was hosted by CNN Anchor Betty Nguyen.

top photo: Fashion designer Chloe Dao, from season 2 of Project Runway, and guest Amelia Liebhold get to know each other at the gala reception. Photograph by Dan Meijer.

bottom photo: Betsy Burstein Robinson, SED project manager, sets up the diorama of a refugee shelter during installation. Photograph by Dan Meijer.