Delivering National Postal Museum Graphics

OEC produced the graphics for Freedom Just Around the Corner, a graphic show in the prestigious Postmaster’s Suite at the National Postal Museum. The 57 graphics included small object labels, reader rails, in-case graphics, and large-scale signage. Freedom Just Around the Corner is the National Postal Museum’s first exhibit “devoted entirely to African American history.” …

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Putting Ourselves On Display

It should be no surprise that OEC is filled with creative and talented people. Our work has helped show off many great works of art. For Artists At Work, not only did we design, edit, and produce the graphics for the exhibition, but we also had a chance to celebrate three of our own artists and the …

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Putting the Puzzle Together: Traditional + Computerized Fabrication Techniques

Smithsonian Gardens recently opened The 20th annual orchid exhibition, Interlocking Science and Beauty, at the National Museum of Natural History. The exhibit explores “where botany, horticulture, and technology connect.”  OEC’s approach to the exhibit components mirrored this interlocking theme. Staff from Smithsonian Gardens installing a tree behind OEC’s puzzle piece graphic panels. OEC created detail drawings from …

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Applied Arts

The Hirshhorn celebrated its 40th anniversary by renovating the third floor galleries. The first exhibition in the new space, At the Hub of Things: New Views of the Collection brings together pieces from the museum’s collection spanning themes, generations, and media. A new iteration of Lawrence Weiner’s A Rubber Ball Thrown on the Sea, produced …

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The Oldest and Newest Technologies Combined: Making Object Mounts for Cooper Hewitt

On December 12, Cooper Hewitt Smithsonian Design Museum reopened to the public after a lengthy renovation. One of their opening exhibitions, Tools: Extending Our Reach, features 175 objects that have shaped human life. Creating mounts for the ancient artifacts featured in Tools posed some unique challenges. The mounts needed to display the object without obscuring it. Due …

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The Art of Building for Artists

One of the stars of the Hirshhorn’s new exhibition, Days of Endless Time, is the American debut of German artist Clemens von Wedemeyer’s Afterimage (2013). OEC fabricators Adam Bradshaw and Enrique Dominguez, along with intern Colby Styskal and volunteers Juan Lucas and Neal Falanga, built the semicircular screen used to show this work from nine separate curved panels. …

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